BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
6332 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →

45.94Mini-composition exercise

Write a 32-bar Afro-Cuban-inspired piece in C minor.

Constraints:

  • choose either 2–3 or 3–2 and stay oriented
  • one two-bar bass pattern
  • one two-bar piano montuno pattern
  • Cm as primary center
  • one F7 area
  • one G7♭9→Cm functional cadence
  • one four-bar bass breakdown
  • one montuno-only section
  • one octave climax
  • no more than four harmonic roots

The composition should remain recognizable even if you mute the melody.

That means the rhythmic architecture is doing real structural work.