8489 / 18210 · Workshop 68 — Harmonic Rhythm as an Arranging Tool: When Chords Change, When They Don’t, and How to Create Momentum Without Adding More Harmony← prev⊞ allnext →
68.63Level 33 — walking into two chords per bar
Now:
Dm7 for beats 1–2.
G7 for beats 3–4.
Bass line must make harmonic shift audible.
Maybe:
D-F-G-B.
Now bass rhythm unchanged:
quarters.
Harmonic rhythm doubled.
Hear the difference.