8433 / 18210 · Workshop 68 — Harmonic Rhythm as an Arranging Tool: When Chords Change, When They Don’t, and How to Create Momentum Without Adding More Harmony← prev⊞ allnext →
68.7Packet thinking
Instead of:
Cmaj7
then Am7
then Dm7
then G7
as four separate emergencies,
hear:
Cmaj7–Am7
as tonic-area motion
and:
Dm7–G7
as predominant–dominant.
Mental compression again.