BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
9696 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →

80.16Level 7 — C9sus

Bass:

C.

RH:

B♭-D-F-G.

Functions:

♭7

9

11

Still no E.

Now we have:

dominant-like ♭7

but no dominant 3rd.

So the chord has strong energy without conventional dominant identity being completely fixed.