9779 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.99Apply it to “Happy Birthday”
Phrase 1:
play melody over open C/G-type texture with very little 3rd information.
Phrase 2:
reveal ordinary major harmony.
Phrase 3:
use a suspended dominant before the climax.
Phrase 4:
resolve clearly.
Or reverse:
play the whole final phrase clearly—
then end with:
C-G-D-A.
The familiar song suddenly has an open, contemporary ending.