9776 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.96Ear Drill — pivot reinterpretation
Play:
Cmaj7→Am.
Stop.
What is Am?
Could be vi of C.
Now:
D7→G.
Replay.
Can you hear Am becoming ii of G retrospectively?
That is tonal reinterpretation.