9715 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.35Level 17 — G/C
C bass.
G-B-D.
This can sound:
Cmaj9-ish without E?
Or:
G over tonic pedal.
If B is prominent:
C major identity appears.
If B is omitted and use G-D-A:
far more modal/suspended.