10904 / 18210 · Workshop 90 — Rhythmic Motif Development: Turning One Tiny Rhythm into a Whole Solo, Accompaniment Language, and Arrangement Identity← prev⊞ allnext →
90.5Level 2 — same rhythm through chords
Progression:
Dm7 → G7 → Cmaj7.
Use chord tones:
Dm7: F-A-D
G7: F-B-D
Cmaj7: E-G-C
All with:
short-short-long.
Now the rhythm glues harmony together.