10960 / 18210 · Workshop 90 — Rhythmic Motif Development: Turning One Tiny Rhythm into a Whole Solo, Accompaniment Language, and Arrangement Identity← prev⊞ allnext →
90.61Level 47 — rhythmic motif over ii–V–I
Dm7-G7-Cmaj7.
Same motif three times.
Adapt chord tones.
Then fourth time:
break motif deliberately at tonic.
The broken expectation can signal resolution.