10906 / 18210 · Workshop 90 — Rhythmic Motif Development: Turning One Tiny Rhythm into a Whole Solo, Accompaniment Language, and Arrangement Identity← prev⊞ allnext →
90.7Level 3 — change pitches, preserve attack pattern
This sounds obvious.
But practice deliberately.
Chord changes should not force new rhythmic phrasing.
Your motif should survive the harmony.