11773 / 18210 · Workshop 96 — Real-Time Harmonization by Ear: Going from a Melody You Can Sing to a Full Piano Arrangement Without Stopping to Analyze Every Chord← prev⊞ allnext →
96.44Level 22 — dominant pedal as waiting room
If phrase clearly builds toward tonic:
you can also sit on:
V
for longer than expected.
In C:
G or G7.
Let melody tensions pass over it.
Then resolve.