11784 / 18210 · Workshop 96 — Real-Time Harmonization by Ear: Going from a Melody You Can Sing to a Full Piano Arrangement Without Stopping to Analyze Every Chord← prev⊞ allnext →
96.55Level 29 — second-pass strategy
Now add:
- inversions
- passing bass
- secondary dominant where obvious
- fills in melody rests
- richer cadences
The listener experiences development.
You gain processing time.