11736 / 18210 · Workshop 96 — Real-Time Harmonization by Ear: Going from a Melody You Can Sing to a Full Piano Arrangement Without Stopping to Analyze Every Chord← prev⊞ allnext →
96.7Melody note versus harmony change
D over C:
can simply be:
A over C:
can be:
6/13.
B over C:
maj7.
F over C is more unstable against E if E is present, but even F can function as:
sus4
or non-chord tone.
Therefore:
a melody note outside the triad does not automatically demand a new harmony.