726 / 18210 · Module 16 — Improvisation from Chord Tones: How to Stop “Running Scales”← prev⊞ allnext →
16.35Sequence a motif
Motif:
D-F-A
Now move it according to the harmony.
Over Dm7:
D-F-A
over G7:
D-F-B
over Cmaj7:
E-G-B
The motif is adapted rather than copied exactly.
This creates unity.