749 / 18210 · Module 16 — Improvisation from Chord Tones: How to Stop “Running Scales”← prev⊞ allnext →
16.58Apply to our richer progression
Loop slowly:
Cmaj7 | E7 | Am7 | A7 | Dm7 | G7 | Cmaj7
First identify one important line:
G → G♯ → A
Then:
C → C♯ → D
Then:
F → E at G7 → C.
Build a solo around those movements.
You already know enough theory to make the solo follow this relatively sophisticated harmony.