BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
1153 / 18210 · Module 23 — Intros, Fills, Turnarounds, Transitions, and Endings← prev⊞ allnext →

23.6Intro from the melody itself

Another excellent strategy:

Take the first few melody notes.

Play them:

  • more slowly,
  • in another register,
  • reharmonized,
  • fragmented.

Then begin the actual tune.

Suppose melody begins:

G G A G

G G A G

Your intro might only hint:

G – A – G

G – A – G

with spacious Cmaj9 harmony.

Then the full melody enters.

This creates thematic unity.