2716 / 18210 · Workshop 8 — “There Will Never Be Another You”: Faster Changes, Secondary Dominants, and Thinking in Harmonic Flow← prev⊞ allnext →
8.23Phrase through the barline
Start your phrase on:
beat 4 of Fm7.
Continue through B♭7.
Land on beat 1 or 3 of E♭maj7.
Now the harmony changes underneath the phrase.
This is real jazz phrasing.