2700 / 18210 · Workshop 8 — “There Will Never Be Another You”: Faster Changes, Secondary Dominants, and Thinking in Harmonic Flow← prev⊞ allnext →
8.7Hear the altered note, not just the chord symbol
If D7 leads to Gm:
focus on:
F → F♯ → G
or directly:
F♯ → G
That voice-leading move is more useful in real-time improvisation than thinking:
“Now I need some D dominant scale.”