4058 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.1Start with the idea of a pedal
Suppose the bass stays on:
C
while upper harmony changes.
For example:
Cmaj7/C
Dm7/C
G7/C
Fm/C
The bass says:
C remains important.
The upper structures create changing color.