4116 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.59Level 32 — 3/4 transformation
Take the repeated motif and place it in 3/4.
Now rhythmic displacement becomes obvious.
Maybe the motif begins on beat 3 and crosses the bar.
This can radically transform the tune while preserving melodic identity.