4074 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.17G7sus → G7
Again:
G7sus: G C D F.
G7: G B D F.
Critical:
C → B
Then:
G7 → C
B → C.
So the same upper voice can do:
C → B → C
while the bass stays G, then moves to C.
Beautiful.