4071 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.14Level 5 — descending inner voice instead of bass
Keep bass C.
Move inner voice:
E → E♭ → D → D♭ → C
Now the harmony evolves while the bass stays anchored.
Compare this with the descending bass version.