4321 / 18210 · Workshop 26 — “’Round Midnight”: Chromatic Melody, Diminished Color, Altered Dominants, and Making Dissonance Sound Beautiful← prev⊞ allnext →
26.2Why Cm(maj7) sounds so special
It contains:
C = tonic
E♭ = minor 3rd
B = major 7th.
That B sits only a half-step below C.
So the tonic itself contains:
B → C
the strongest possible leading-tone tension.
Yet we are already “home.”
That creates the paradoxical sound:
resolved and unresolved simultaneously.