BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
4321 / 18210 · Workshop 26 — “’Round Midnight”: Chromatic Melody, Diminished Color, Altered Dominants, and Making Dissonance Sound Beautiful← prev⊞ allnext →

26.2Why Cm(maj7) sounds so special

It contains:

C = tonic

E♭ = minor 3rd

B = major 7th.

That B sits only a half-step below C.

So the tonic itself contains:

B → C

the strongest possible leading-tone tension.

Yet we are already “home.”

That creates the paradoxical sound:

resolved and unresolved simultaneously.