4382 / 18210 · Workshop 26 — “’Round Midnight”: Chromatic Melody, Diminished Color, Altered Dominants, and Making Dissonance Sound Beautiful← prev⊞ allnext →
26.63Level 24 — chromatic bass
Try:
C → B → B♭ → A → A♭ → G
again.
But now combine it with darker tonic/dominant colors.
Possible conceptual shape:
Cm
Cm(maj7)/B
Cm7/B♭
Am7♭5
Fm/A♭
G7♭9.
This creates a long descent into dominant.