4358 / 18210 · Workshop 26 — “’Round Midnight”: Chromatic Melody, Diminished Color, Altered Dominants, and Making Dissonance Sound Beautiful← prev⊞ allnext →
26.39Play it slowly
Bass G.
RH:
A♭
B♭
B
then bass C + note C.
Hear how even extreme chromaticism becomes logical because the ending is clear.