4326 / 18210 · Workshop 26 — “’Round Midnight”: Chromatic Melody, Diminished Color, Altered Dominants, and Making Dissonance Sound Beautiful← prev⊞ allnext →
26.7Now place C in bass
LH: C.
RH: B → B♭ → A → A♭ → G.
Suddenly you hear several possible tonic-minor colors:
B: maj7
B♭: ♭7
A: 6
A♭: ♭6
G: 5.
This one line walks through a huge portion of minor-color vocabulary.