7944 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.14Level 5 — rhythmic motif across triads
Choose rhythm:
short-short-long.
Play:
C-E-G.
Then same rhythm:
D-F-A.
Then:
E-G-C.
The rhythmic motif creates unity while the inversion changes.
This uses our old invariant/variable principle.