8026 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.96Apply it to “Mack the Knife”
Keep walking swing conventional for the melody chorus.
During solo chorus:
over a static or tonic-major area, use:
tonic major + major triad a whole step above
for Lydian color.
Over altered dominant:
switch to an altered triad-pair vocabulary.
Then quote the melody plainly.
This produces a modern solo while the arrangement itself can remain classic.