7937 / 18210 · Workshop 63 — Triad Pairs and Upper-Structure Improvisation: Getting Modern Jazz Color Without Thinking in Seven-Note Scales← prev⊞ allnext →
63.7This immediately connects to Workshop 60
Over a C pedal:
D minor triad:
D-F-A
gave us:
9,11,13.
We already used it as an upper structure.
Now we're using the same object melodically.
So:
upper-structure harmony and triad-pair improvisation are two versions of the same idea.