4510 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.1The basic modal environment
Think:
Dm7 for a long time
rather than:
Dm7 → G7 → C.
This is not a ii chord waiting for G7.
Here, D itself is the tonal center.
That distinction is everything.