4529 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.20Level 9 — phrase across barlines
Create a phrase beginning on beat 4.
Continue through the next bar.
Now the phrase belongs to a larger rhythmic sentence rather than to one measure.
This is essential for convincing modal improvisation.