4530 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.21Level 10 — quartal voicings
“So What” is strongly associated with quartal sonorities.
Instead of tertian stacks like:
D-F-A-C,
try stacks based on fourths.
For example:
E-A-D-G
or related shapes over D bass.
These sound open and ambiguous.