4571 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.62Hear how strange that would be in functional harmony
If you were thinking purely in major/minor cadences:
E♭ minor-ish → D minor-ish
without dominant preparation might seem abrupt.
In modal composition:
the direct shift is the structural idea.
Context creates legitimacy.