4526 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.17Level 7 — rhythmic identity
Take a rhythm such as:
short – short – long
Apply it to different pitches.
Example:
F-A-B
then:
G-B-C
then:
E-F-A.
Same rhythm.
Now the solo has coherence.