BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
4609 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →

29.1Start with the problem created by the 3rd

Take G7:

G B D F

G B D F

The note:

B

tells us very clearly:

G is a major-type dominant chord.

And B wants strongly to resolve:

B → C

B → C

So the 3rd carries a lot of functional information.

Now replace B with C:

G C D F

G C D F

We get:

G7sus4

Suddenly the chord feels much less directional.