4654 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →
29.46Level 20 — melodic sequence over parallel harmony
Create motif:
A-C-D.
Over G sus.
When harmony shifts up semitone:
transpose motif:
B♭-D♭-E♭.
Same contour.
This is one of the easiest ways to make parallel harmony sound coherent.