4616 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →
29.8Level 2 — quartal voicing
Try:
RH:
A-D-G-C
over G bass.
The intervals emphasize fourths.
Again, there is no traditional major/minor identity.
This creates the floating sound we want.