4617 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →
29.9Why the absence of 3rd matters
If you add B:
G-B-F-A-C
the dominant identity becomes much stronger.
If you leave B out:
the sound remains more modal.
So omission is not a deficiency.
It is an arranging decision.