4695 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →
29.87The important theory upgrade
Earlier we had:
Triad
root + 3rd + 5th.
Then:
Seventh chord
root + 3rd + 5th + 7th.
It is easy to assume sophisticated harmony means:
keep adding notes.
But sus/modal harmony teaches the opposite:
sometimes sophistication comes from removing the defining note.
Removing the 3rd creates space.