9048 / 18210 · Workshop 74 — Rhythmic Reharmonization: Keeping the Chords but Changing Their Placement, Anticipation, Delay, Pedal, Syncopation, and Groove Identity← prev⊞ allnext →
74.15Level 7 — delay only tonic
This is especially effective.
Progression:
Dm7 → G7 → C.
Let G7 continue briefly into the tonic bar.
C bass might arrive first.
Or melody might arrive.
Full tonic harmony comes later.
This prolongs dominant tension.