9091 / 18210 · Workshop 74 — Rhythmic Reharmonization: Keeping the Chords but Changing Their Placement, Anticipation, Delay, Pedal, Syncopation, and Groove Identity← prev⊞ allnext →
74.58Level 36 — gospel application
Cadence:
F → Fm → C.
Do not give each equal duration.
Try:
F for 2 bars.
Fm appears only on 4&.
C next bar.
That brief iv can be devastatingly effective.
Duration changes emotional weight.