9040 / 18210 · Workshop 74 — Rhythmic Reharmonization: Keeping the Chords but Changing Their Placement, Anticipation, Delay, Pedal, Syncopation, and Groove Identity← prev⊞ allnext →
74.7Three arrival models
For every chord change, you now have:
A. synchronized bass + RH together.
B. RH first upper harmony anticipates.
C. bass first root anticipates.
These three alone can create major arranging variation.