BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
60 / 18210 · Module 3 — Minor Scales, Relative Keys, and Why Minor Harmony Behaves Differently← prev⊞ allnext →

3.7The problem with the natural-minor dominant

Play:

Em → Am

Notes:

Em:

E G B

E G B

Am:

A C E

A C E

Now compare:

E7 → Am

E7:

E G♯ B D

E G♯ B D

Am:

A C E

Which one sounds like a stronger arrival?

Usually:

E7 → Am

Much stronger.

Why?

Because:

G♯ → A

G♯ → A

is a half-step resolution.

G♯ is the leading tone to A.

But A natural minor has G natural, not G♯.

So tonal harmony often changes the 7th degree.

This gives us harmonic minor.