BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
203 / 18210 · Module 6 — Cadences, Phrase Structure, Harmonic Rhythm, and Hearing Musical “Punctuation”← prev⊞ allnext →

Homework for Module 6

Spend roughly 25–30 minutes.

A. Cadence drill

In C, G, F, and D, play:

V7 → I

IV → I

V7 → vi

and:

a progression ending on V.

Say:

authentic

plagal

deceptive

half

as appropriate.


B. Question and answer

Create two four-bar phrases in C.

Phrase 1:

end on G7.

Phrase 2:

end on C.

Use only:

C, Am, Dm, F, G7


C. Harmonic rhythm

Use:

C – Am – Dm – G7

C → Am → Dm → G7

Play it with:

  • one chord per bar
  • two chords per bar
  • slow beginning, faster ending

Notice how the same chord sequence changes character.


D. Reduction

Play:

C – C/E – F – F♯° – G7 – G/B – C

Then reduce mentally to:

C – F – G7 – C

C → F → G7 → C

Hear the skeleton beneath the decoration.


E. Phrase by ear

Choose a familiar melody.

Without sheet music:

  • sing it
  • locate phrase boundaries
  • identify which ending sounds open
  • identify which ending sounds final
  • then find the tonic on piano

F. Improvisation

Use:

C | Am | Dm | G7 | C

Right hand:

make a two-bar statement.

Pause.

Make a two-bar answer.

Try to land the final phrase on C, E, or G over the C chord.