Homework for Module 7
Spend around 30 minutes.
A. Chord-candidate drill
In C major, pick each scale note and name three diatonic chords containing it.
Do this without looking at the table.
Example:
E → C, Em, Am
B. Harmonize a scale fragment
Melody:
C D E F | G F E D | C
Try harmonizing it first with only:
C, F, G7
Then create a second version adding:
Am, Dm
C. Static melody
Hold G in the right hand.
Play underneath:
C → Em → G7 → C
Listen to the changing role of G.
D. Static harmony
Hold C major in the left/right accompaniment.
Play a moving white-key melody over it.
Notice which notes feel:
- stable
- tense
- passing
E. Melody on top
Take:
C → Am → F → G7 → C
Choose right-hand inversions so the top notes are:
G → A → A → B → C
F. Happy Birthday project
Without looking up chords:
- find the melody in C
- mark phrase endings
- harmonize using C/F/G7 only
- make a second version adding Am/Dm
- record both
The two versions do not have to match anybody else's arrangement.
G. One melody, three harmonizations
Pick one short 4-bar melody.
Make:
Version 1: simple I/IV/V
Version 2: add vi and ii
Version 3: use inversions for smoother bass
Record all three.
This is one of the most valuable exercises in the entire course.