873 / 18210 · Module 18 — Scales and Modes for Improvisation: What to Use, When, and Why← prev⊞ allnext →
18.52One scale, different chord targets
Use only C major across:
Dm7 | G7 | Cmaj7
but impose:
Dm7: phrase must end F
G7: phrase must end B
Cmaj7: phrase must end E
You'll hear harmony clearly even though the scale never changed.
That is the point.