2427 / 18210 · Workshop 5 — 12-Bar Jazz Blues: From Three Chords to a Full Improvisational Language← prev⊞ allnext →
5.25Three-chorus development plan
Chorus 1
sparse, mostly minor pentatonic.
Chorus 2
mix major/minor color and target chord thirds.
Chorus 3
higher register, more rhythmic activity, stronger turnaround.
Then stop or return to melody/riff.
This creates narrative.