2441 / 18210 · Workshop 5 — 12-Bar Jazz Blues: From Three Chords to a Full Improvisational Language← prev⊞ allnext →
5.39Why F♯°7 works
F♯°7:
F♯ A C E♭
Notice it shares:
A C E♭
with F7:
F A C E♭.
Only F moves to F♯.
Then it can resolve into C/G.
This is extremely smooth voice leading.