2442 / 18210 · Workshop 5 — 12-Bar Jazz Blues: From Three Chords to a Full Improvisational Language← prev⊞ allnext →5.40Hear the bassF → F♯ → G. That line is the real musical reason for the diminished chord. Again: line first, chord label second. ← Previous5.39 Why F♯°7 worksNext →5.41 Bar 8 A7