2457 / 18210 · Workshop 5 — 12-Bar Jazz Blues: From Three Chords to a Full Improvisational Language← prev⊞ allnext →
5.55Why C6 can be better final chord than C7
During the form, C7 keeps the blues moving.
At the very end, C6:
C E G A
can give more finality.
The B♭ disappears.
The tonic settles.